000			01834nam a22002897a 4500
001			00002359
003			AT-ABuAW
005			20241016103215.0
007			tu
008			241016b1999 enk||||| |||| 00| 0 eng d
020			_a9781859842614
020			_a1859842615
035			_a(AT-ABuAW)00002359
035			_a(AT-ABuAW)2359
040			_aAT-ABuAW _bger _cAT-ABuAW
100			_92980 _aPorton, Richard
245			_aFilm and the Anarchist Imagination
250			_a1. Aufl.
260			_aLondon/New York _bVerso _c1999
300			_a314 S.; _bIll.; _c23,7 x 19 x 2 cm
500			_aBearded bomb-throwers, self-indulgent nihilists, dangerous subversives—these characteristic clichés of anarchists in the popular imagination are often reproduced in the cinema. In Film and the Anarchist Imagination, the first comprehensive survey of anarchism in film, Richard Porton deconstructs such stereotypes while offering an authoritative account of films featuring anarchist characters and motifs. From the early cinema of Griffith and René Clair, to the work of Godard, Lina Wertmüller, Lizzie Borden and Ken Loach, Porton analyzes portrayals of anarchism in film, presenting commentaries and critiques of such classics as Zéro de Conduite, Tout Va Bien, and Love and Anarchy. In addition, he provides an excellent guide to the complex traditions of anarchist thought, from Bakunin and Kropotkin to Emma Goldman and Murray Bookchin, disclosing a rich historical legacy that encompasses the Paris Commune, the Haymarket martyrs, the anarcho-syndicalists of the Spanish Civil War, as well as more familiar contemporary avatars like the Situationists and the enragés of May 1968. (Klappentext)
504			_aIndex S. 302-314
563	1	2	_aKartoniert, Klebebindung
650			_aAnarchismus
650			_aFilm
942			_2z _cBUCH
999			_c2445 _d2445